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	<title>RJ &#8211; Paul Westerberg</title>
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	<description>Best Thing That Never Happened</description>
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	<title>RJ &#8211; Paul Westerberg</title>
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		<title>I&#8217;ll be home when I&#8217;m sleeping</title>
		<link>https://paulwesterberg.net/2007/09/11/ill-be-home-when-im-sleeping/</link>
					<comments>https://paulwesterberg.net/2007/09/11/ill-be-home-when-im-sleeping/#comments</comments>
		
		<dc:creator><![CDATA[RJ]]></dc:creator>
		<pubDate>Wed, 12 Sep 2007 01:21:04 +0000</pubDate>
				<category><![CDATA[In Love With That Song]]></category>
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					<description><![CDATA[I once posted (on a vastly inferior PW fansite) that &#8220;Can&#8217;t Hardly Wait&#8221; (from Pleased to Meet Me) was not only my favorite PW song but probably my favorite song...]]></description>
										<content:encoded><![CDATA[<p>I once posted (on a vastly inferior PW fansite) that &#8220;Can&#8217;t Hardly Wait&#8221; (from <em>Pleased to Meet Me</em>) was not only my favorite PW song but probably my favorite song by anyone, ever; it&#8217;s like standing at some magically delicious crossroads where so many of the the things that I love about Rock &#038; Roll converge.</p>
<p>The song starts out with a simple Booker T &#038; the MG&#8217;s-influenced &#8220;Memphis&#8221; guitar riff and then the drums kick in, and I mean <em>kick</em> in. (I&#8217;ve read that people bemoan that producer Jim Dickinson &#8220;reigned in&#8221; Chris and Tommy with the use of click tracks on this record but I don&#8217;t hear it like that &#8211; I&#8217;d gladly trade <em>PTMM</em>&#8216;s in-the-pocket drumbeats over the near-anarchy of some of their earlier recordings.) </p>
<p>The lyrics are written almost as an imaginary phone call home from a lonely motel room somewhere out on the road: &#8220;Write you a letter tomorrow / tonight I can&#8217;t hold a pen / someone&#8217;s got a stamp that I can borrow / I promise not to blow the address again&#8221; PW sings with just the right amount of emotion. Then, a half verse (bridge?) and then one of my favorite-ever Replacements moments, when the Memphis Horns kick in, slyly nudging the song up a notch or two. And all this time the snake-like guitar and bass and firecracker drums are insistently propelling the song along&#8230;</p>
<p>After the horns make their entrance comes one of PW&#8217;s most-quoted lines: &#8220;Jesus rides beside me, but he never buys any smokes.&#8221; As this verse continues, PW&#8217;s vocals take the song to yet another level &#8211; there&#8217;s the yearning to be home, the joy of being in a Rock &#038; Roll band, the disgust (or is it bemusement?) of life on the road when he sings of ashtray floors, dirty clothes and filthy jokes&#8230; (Throughout PW&#8217;s career he has sung with several voices &#8211; from the near whisper of &#8220;Sadly Beautiful&#8221; and the confessional &#8220;Here Comes a Regular&#8221; to the affected vocals of &#8220;It&#8217;s a Wonderful Lie&#8221; and the Classic Rock howl of &#8220;I&#8217;ll Be You&#8221; &#8211; but to me none come close to what he achieves on &#8220;Can&#8217;t Hardly Wait.&#8221;)</p>
<p>&#8220;Lights that flash in the evening through a hole in the drapes / I&#8217;ll be home when I&#8217;m sleeping / I can&#8217;t hardly wait.&#8221; Here Dickinson adds a swirling string section &#8211; not too obtrusive, and complimenting the horns, that guitar and the drums. The song fades out with PW repeatedly and magnificently singing/screaming &#8220;I can&#8217;t wait! Hardly wait!&#8221; several times, his voice striving to be heard above that beautiful din. &#8220;Can&#8217;t Hardly Wait&#8221; clocks in at 3:03 but feels much longer. </p>
<p>I&#8217;ve listened to this song hundreds and hundreds of times, and <em>never</em> get sick of it. I won&#8217;t say I find something new every time I hear it &#8211; but I do wear the comfort it brings me like an old sweater. </p>
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